The weight of the Ronin-S is definitely the biggest complaint you’ll see on the internet, but it’s something you can adjust to. The maximum payload of 3.6kg means the Ronin-S can have DSLR setups with heavier cine lenses and other accessories.
#MOVI PRO GIMBAL SOFTWARE#
The software and accompanying app are super slick. It feels more robust than the plastic gimbals produced by Zhiyun, Moza and other brands. The build quality is a lot better than the rest. Admittedly, he’s not quite up to par and he’s a bit heavy, but it does so many things better than its competition. This DJI gimbal is probably the closest to the most perfect gimbal you can get in this class. That was until the 2018 release of the Ronin-S, which was sold out for quite some time after its release.
#MOVI PRO GIMBAL PROFESSIONAL#
Although they dominated the mobile and professional gimbal market, for a while they actually didn’t have a good handheld gimbal under € 1000 for a DSLR and mirrorless camera. While being best known as a manufacturer of drones, there is no doubt that DJI is the most prolific gimbal supplier today. Non-removable battery – you can buy a different handle if a spare is needed.Now let’s see the top 3 of these gimbals in more detail … … and here are some other options worth considering: Here are our top 3 gimbals recommendations for filmmakers and videographers: We compare them on things such as stabilization quality, maximum payloads, build quality, price and more.īest gimbals for your camera in one overview In this article, we’ll explain which gimbal is right for you. Forget the days of choppy unstable shots!įrom smartphone gimbals for amateurs like the DJI Osmo Mobile (nowadays the DJI OM series) to the more professional gimbals like the Movi Pro or DJI Ronin 2 that cost hundreds to thousands of euros, there is a gimbal for every type of filmmaker. Smooth and cinematic images that look completely professional are now highly accessible to any filmmaker. Not only the high price, but also the hassle and attention you would get when walking around with a steadicam harness. Steadicams or easyrigs were far too expensive for smaller projects with lower budgets. The creativity of vloggers, filmmakers and videographers has always been limited by their equipment. There is no doubt that 3-axis gimbals are super hot these days and they are selling like hot cakes. Some swear by the simplicity of a monopod or tripod, others want a steadicam, shoulder rig or easy rig or do you prefer a gimbal? Every filmmaker needs a tool for stable footage.
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